Title:
Domitila: A Cinderella Tale From the
Mexican Tradition
Adapted
by: Jewell Reinhart Coburn
Illustrated
by: Connie McLennan
Grades:
2-6
Have you read the “Cinderella
story” from the Mexican tradition called Domitila?
Domitila is a young Mexican girl, who leaves her family to work in the
Governor’s mansion, as a cook, in order to earn money to send to her poor
family. While she is at the Governor’s mansion, she is given a chance to make
the Governor’s son, Timoteo, a traditional dish from her family’s culture.
Timoteo found the dish to be the best food he has ever eaten and the next day
went looking for Domitila to ask her what her secret is. Timoteo learns that
Domitila has gone to her home in a place far away from the mansion called
Hidalgo because her mother was very sick. Timoteo journeys to Hidalgo asking
everyone he meets about Domitila and her food. He learns more stories about the
young women along the way but no one could tell him exactly where she lived. An
evil women, Malvina tries to send him on the wrong path by telling him Domitila
lived in the opposite direction. Will Timoteo ever be able to find Domitila?
Read Domitila and find out!
This story is a great example of
traditional literature. Even though the story is written down, the flow of the
language reflects that it was once a story part of the oral tradition. The
words in the story simply flow off your tongue when reading it aloud. The
language is explicit and really paints a vivid picture in your mind as to what
is happening in the story like in most traditional literature. There is also a
sentence that is often repeated throughout the story, which is, “Do ever task
with care, and always add a generous dash of love.” Often times, in oral
literature the repeated sentence often reflects one of the themes throughout
the story. The theme is what oral storytellers wanted listeners to learn from
the story. The main theme that comes through many times in this story is that
when you do things you love you will be successful in what you do. Domitila,
cooks with love, which is why her cooking is so delicious and so many people
travel far and wide to eat it. The other universal theme that comes through in
this story is the idea of going from “rags to riches.” Domitila goes from being
a very poor woman to marrying the future governor and becoming very wealthy. The
themes in this story reflect the views of the Mexican people, like most
traditional literature, because they take pride in their work. Therefore, the
themes show the values of the people that created the story of oral tradition. In
additional to exploring universal themes, this story also follows the
characteristic of folktales in that the characters each represent a trait. The
governor’s son, Timoteo, represents bravery because he travels so far to find
Domitila. Domitila represents love and kindness because she is selfless in the
sense that she works so that her family can afford to buy food and that she
cooks and works with love. Domitila’s stepmother, Malvina represents evil
because she comes up with an evil plot to marry Domitila’s father and tricked
the governor’s son to buy her time so that when he eventually does find
Domitila’s home she can trick him into thinking that her own daughter is
Domitila. Domitila’s daughter, Pereza represents laziness because she sits back
and lets others do work for her. The characters also represent different
economical standings. Domitila is from a very poor family of farmers and
Timoteo is from a rich family in which his father is the current governor. Like most traditional literature, the
plot is straightforward. There is nothing in the story that doesn’t apply to
the plot. There is little in this story that is inferred. Everything is very
straightforward except for the setting and time the story takes place. The time
is only stated as being long ago. The setting is a little more precise than
most traditional literature because it doesn’t simply say, “in a faraway land.”
The story does tell us that Domitila lives in Hidalgo, which is a state of
Mexico, but as far as where the governor’s house is the story doesn’t specify. The
conflict of the story is that Timoteo is searching for Domitila but doesn’t know
where she is and can’t seem to find anyone who does. This conflict is pointed
out very early in the story. In correlation with most traditional literature,
the resolution is very precise and clear.
The illustrations in this story are
by Connie McLennan. I feel that they do complement the narrative because the
pictures make the story really come to life. It also uses authentic cultural
details from the Mexican tradition because it the characters are dressed in
authentic Mexican clothes and the colors in the paintings are bright reds and oranges,
which are true to the Mexican culture. The illustrations seem to be done in oil
paintings. Mexican artists commonly do oil paintings. I believe the
illustrations do remain true to Mexican culture.
This story contains all five
literary elements: characters, setting, problem/solution, resolution, and
theme. The characters in the story are Domitila, Domitila’s mama, Domitila’s
pappa, Timoteo, Timoteo’s abuela, the governor, Third Cook, First Cook,
Malvina, and Malvina’s daughter named Pereza. The setting of the story takes place in Hidalgo, Mexico and
the palace of the governor and happened a very long time ago. The main problem
in the story is that Timoteo is lead on the wrong path by Malvina in his search
for Domitila. The solution to the problem is that Timoteo stumbles upon the
fall festival and smells Domitila’s food. The resolution is that Timoteo finds Domitila;
they marry, and live happily ever after.
I really liked this book because
the Cinderella fairy tale is one of my favorites so it was interesting to read
a version from another culture. I really enjoyed hearing the story from another
point of view. I think it is interesting how similar the Mexican version of
Cinderella is to the one I have heard as a child. It is fascinating how a
similar theme seems to make its way into literature in all cultures!
I would use this in my future
classroom as part of a unit on traditional literature. I would read this
Mexican version along with versions from other cultures and discuss with
children in a fifth grade class the similarities and differences that are
between them. The language arts standards that the lesson would cover are:
RL 5. 9 Compare and contrast stories in the same genre on
their approached to similar themes and topics.
RL 5.1 Quote accurately from a text when explaining what the
text says explicitly and when drawing inferences from the text.
RL 5.6 Explain how a narrator’s or speaker’s point of view
influences how the events are described.

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